He has been training in lighting since 2002, graduated from a DMA in show management with light option, he followed the course of the lighting production department of the National School of Theater Arts and Techniques in Lyon (ENSATT) from where he graduated in 2009. He also trained with Maryse Gautier, of whom he is the assistant at the Dijon Opera on Cosi fan Tutte, at the Ballet de l'OnR on La Strada, and on the pieces of choreographer Fabrice Ramalingom. He also worked as an assistant with Joel Hourbeight on various creations, at the Toulon Opera on Der Freischütz, at the Théâtre à la Colline (Paris) on Un Long voyage du jour à la nuit, directed by Célie Pauthe , and at TNS on From Marriage to Divorce, directed by Alain Françon. He participated in many projects as a light designer for the theater at ENSATT on Mauser, staged by Mathias Langhoﬀ, at NTH8 (Lyon) on Pale Blue Dot, staged by Etienne Gaudillère, for contemporary dance at La Comédie de Saint Etienne on Clank's, choreographed by Cécile Lalloy, for the contemporary circus at the Théâtre Montfort (Paris) on Dans le ventre de la Ballerine, directed by J.‐B. Mollet, and recently at the National Scene in Besançon on L'Absolu, by artist Boris Bigé. For the opera, he created the light for the staging of Alexandra Lacroix, Orphée et Eurydice by Gluck, Il Mondo della luna by Haydn and Didon et Enée by Purcell, performed at the Théâtre Mouﬀetard (Paris).